Patterns and Experience

Enjoyed giving my two presentations last week at SpeechTEK in New York. Both seem well received, especially the patterns talk. It's gotten 150+ views on Slideshare since, which is very gratifying!

See them both for yourself:

IVR Design Patterns

View more presentations from Phillip Hunter.

People Get Ready

View more presentations from Phillip Hunter.

Sorry for the formatting issues in the second one. They appeared after the upload. Not sure what's going on.

Later this week, I'll offer thoughts on SpeechTEK, and some talking points I covered in the presentations.

Good to see lots of folks!

A few thoughts on Consistency

While going through the Apple human interface guidelines, the section on consistency of the interface spurred some thoughts. This has been an discussion-provoking topic within interaction and interface design for some time and most especially for voice interaction.

Many times I've altered a recently seen screen heading, a repeated phrase of instruction, a past sequence of events, or a previously-used command for context and have been accused of "being inconsistent". Most of the time, I've been able to effectively point out how the context allows or even demands the change. Other times I've simply had to say "let's see what data we get." Other, other times I've had to accede to uneducated demands. And I'm sure I will have those arguments again, but, for the record and perhaps the education of a few, here are reasons to be consistent and times where consistency is bad.

Consistency is important for:

- Meeting user expectations and allowing predictability. A thing that looks like a button should be press-able or click-able. If a task seems like it could be done more than once, users should be able to, easily. Be consistent with the good and useful things users know and expect that they learned elsewhere.

- Promoting understanding and predictability of meaning. Users want to get what is happening and will happen. In speech, this is why using good synonyms is so important. We wouldn't (I hope!) dream of telling the user, "Say the same thing you did last time." We'll allow "checking", "checking account", and "debit account" all to mean the same thing. Because they do. Consistency here is the continuity of meaning, not the continued use of identical words.

- Infrequently given instructions and commands/actions. If a user needs to remember something, it should be predictable between tasks and especially sessions.


Consistency is bad when:

- It becomes distractingly repetitive. Hearing or seeing a menu for a third time in a task sequence shouldn't be like the first instance. Repeated instructions and events are easily ignored or glossed over. Items offered in context are more easily absorbed.

- It makes the user wonder if they are in a loop or a previous action was ignored. Let the interaction adapt and implicitly let the user know that the UI is "aware" of the evolving engagement that is occurring.

- It mimics behaviors we would consider highly unusual in people. I.e., "You can choose either your savings account or your checking account. So, just say 'savings account' or 'checking account'." A person being that consistent with the word 'account' would be looked at sideways. Implicature works for machines, too. Better: "You can choose either your savings or your checking account. So, just say 'savings' or 'checking'." Even better: "You can choose either your savings or checking account. So, which one?"

The moral here is, like other design principles, consistency is a fantastic and powerful concept to employ in the right places and ways. Used thoughtlessly, it can cause confusion and discomfort. If you're unsure, study it, ask questions, and most of all, bounce your design ideas off others and listen to feedback. Consistency is not a hammer to use to pound on a design you simply disagree with. In fact, doing so usually is a sign of ignorance of proper design practices. And no one likes to seem ignorant.

Design well.

Update: Take back the beep!

David Pogue reports some success in his crusade to have the 4 major mobile providers change the way their voice-mail interacts with callers.

If you haven't yet, send an email to Verizon, AT&T, T-Mobile, or Sprint and let them know what you think.

With better tools you can build more crap faster

Last week I attended a lecture given by a software development company offering a new development tool for mobile developers. They are tapping into the moves by Google and Palm toward the mobile web app framework versus the native app focus of Apple. While that is an interesting business battle to watch, the central point of the lecture focused on something more disturbing and worth our time actually engaging in as designers.

They started by pointing out stats that most of us know or expected: the apps in Apple's store are mostly failures. Many never capture a significant number of users and many that do show an initial spurt of purchases, then fall dramatically. The number of apps that have significant purchase and use over time is very small. To make things worse, the lecturers indicated that iPhone and other mobile apps typically require fairly large amounts of time and effort, meaning that the ROI for the vast majority of apps is very negative.

As a designer, my response was of course that the failing apps do not meet the criteria that any software must for successful adoption: usability, usefulness, and engagement. Meaning that most developers are really wasting their time in addition to the consumers and even Apple's. This company's response was far different from mine, though. They essentially are resigned to the current state that the widespread development of crappy apps is a permanent condition. Their solution to the problem as they see it is to greatly shorten the time and effort needed to develop. So, if we can build apps faster, then we can build more apps. And if we can build more apps faster, we increase our chances of getting lucky that one of them won't be crap.

While I can understand this logic, and it has a fine product marketing tradition backing it up, it is very flawed. Let's look at a few reasons:
- Consumers are rejecting these apps. Putting them up faster will not change that. Statistically, it will actually worsen the percentages.
- Building more apps will vastly increase the clutter that consumers have to deal with, leading to the probability that good apps will get lost in the madness.
- Failures lead to zero or negative ROI. Getting there faster is not a bad thing, but it is not a good driving goal for software tools.
- We are in the beginning (I continue to hope) of a design revolution. Aims such as this company's waste precious talent and time that could be used to make progress toward good design.

To be fair, the product looked interesting and useful. Perhaps it could be used to build better apps faster. And I certainly agree that experimentation and failure are part of the marketplace. However, creating better products for consumers is accomplished in large part by aiming to build better products, not simply more of the status quo, faster.

Share your thoughts about this below.

Good design in 2009.

Take back the beep!

Mobile phone company pre-recorded intros have bugged me for more 6 or 7 years. So I got fairly excited when I saw David Pogue's "Take Back the Beep" campaign start this week. Evidently he's had enough, too, of the 15-second blather that callers hear when they reach someone's mobile phone voicemail. You all know them. Those silly instructions about things you have no desire to do that stand in the way of what you want to do: leave a message.

So, Pogue has started a campaign to make those instructions optional and off by default. They waste time and money. I couldn't agree more! I'll enjoy watching, and helping, this develop for several reasons:

1) I hate this underhanded way of sucking more money out of customers. When will companies finally get that we will pay for good service? We hate paying for crap like this.

2) Much of the publicity for this is happening on Twitter. As with Facebook's TOU debacles, it is very interesting to see how the potential power of online social networks can make a difference.

3) I just love a good ol' public call on the carpet.

4) It's just the right thing to do.

So, see Pogue's articles above and here. You can take part, too. Write a quick note using the links and guidelines in the second article. Help bring a smidge more sanity to our increasingly mobile lives.

Step up to the microphone

Ah, wow. It's been 3 months since I posted last. That's not good. So, I am stepping back up to put my humble and not-so-humble thoughts out to you. At least lots has happened. design - outloud is up and going. It's parent company, Watch Me Media, is a legal entity. We have paying customers (Be one!). I've been asked to act as CTO for a health care start-up project, and, last but not least, we were able to spend time in Colorado. And then there's all the kids activities, family stuff, watering the grass, etc.

Sounds pretty good, but it's also been a difficult time as multiple projects have evaporated due to economic conditions. Maybe more on that later. And soon I will start posting again about design and the business and practice of it.

For now, we persist.

Putting the Boat in the Water

I must admit I've not been able to pay attention here this week for several reasons. The best is that I am trying to get design out loud up and running again, involving starting work with my first client (Hooray!!), putting out the messages of availability and services (hint, hint!), working out details with partners in the venture (more on that later), and revamping my CV/portfolio site. I've also been working on a book review that I'm hoping will be finally accepted and published on-line soon. More on that as soon as I know.

I'm very grateful for this opportunity, but as many entrepreneurs will tell you, my stomach is in knots for parts of every day and bank accounts that would have seemed very comfortable two months ago now look frighteningly small.

But, this is a chance, and I just know I'd regret not trying. And I'm getting wonderful encouragement from my wife, kids, friends, family, and colleagues. Even from potential clients. Now to get the green river flowing. It's time to ride the current.


P.S. About the last post, I was really sad to see no commentary. I know some of you read it, and I got a couple of comments in other venues, but, still, c'mon... Gimme something here! ;)

Doing the Right Thing - Beyond Ethics in Design

I have just read the legendary Henry Dreyfuss’s Designing for People and am enjoying having my eyes opened further in so many ways. It’s really amazing that of the struggles we have in design, so many were already encountered and thought about and we’ve just managed to ignore resources like this until recently. At least on a broad scale. But maybe that’s another post. One of the things impacting me greatly right now is the professional ethic Dreyfuss recounts working by, including flatly refusing work.

I also recently watched Changeling and was equally struck by the fantastic amount and depth of corruption and disrespect for people displayed by the Los Angeles police department of the time. (Historical accounts of the same events appear to indicate that the movie did not exaggerate much.) I imagine a persistent and unchecked growth throughout the organization that perhaps could have been halted early by clear-sighted and disciplined intervention.

Thirdly, I came across this post from last year on UXmatters regarding the issue of whether our customers trust us and how little we directly address that question. Think about that. Do we even stop to think about whether the people at the company paying us trust us? Think about the ramifications of both “no” and “yes”.

These things, along with some of the causes of our economic crisis, caused me to think about how we as people and designers do or don’t keep ourselves on the straight and narrow and thoughtfully demonstrate our trustworthiness. And while I could discuss oaths and codes of ethics used in other disciplines, I really am wondering what we designers can and will do in this regard. Certainly we care very much about this, right? Our focus is to produce effective experiences that benefit both organization and individual. Yet there are, of course, opportunities for a designer to act unethically or even criminally, whether by fraud, negligence, incompetence, or harm. I doubt much of that happens now, but there is sure to be greater opportunity for temptation as our profession grows beyond a relative handful of idealistic practitioners.

As a loose, non-regulated community made up of individuals and small groups, can we prevent succumbing to temptation? If so, how? Dreyfuss had his rule of “inside out” design and a high ethical standard, but he evidently self-enforced both. We have our mission statements, peer reviews, etc., but these are generally quality-oriented and some things are only part of processes. AIGA has had some discussion of the topic, but even there it is acknowledged that “just having…a statement that we may agree with is not enough.”

How do we prevent ethics problems before they need to be detected and acted on, especially when we don’t even have enforcement ability? Lawyers can be sanctioned and disbarred, but not only is the design community unlikely to be desirous of or successful at finding a similar construct, I’m asking my questions in hope that we can go beyond that and find something more far-reaching, immediate, and preventative. Some means of openness embedded in all design processes that keep us in line and from taking the easy way out.

The times we are in tell us clearly that the best and brightest can be blinded by and blind to their own selfishness. And that this selfishness and self-centeredness hurts us all, including many who have no power in the hurtful situations. How can we prevent the worst in our designer selves? Not in shackling, designers-are-five-year-olds ways, but with mechanisms that make us go beyond just doing it for the money. I think there are multiple facets to the sense of doing the right thing in design and engendering the trust of our customers, such as:
- Committing to a standard of excellence in our service and product.
- Advocating for the best blend of designs that are good for people and business.
- Lobbying for the right technologies to be used.
- Being willing to draw lines when high standards cannot be met.

Is this possible? What are other considerations, other components? Can we find or create such mechanisms beyond merely agreeing to a code of ethics?

What will we do as a community to make sure we do the right thing?

I have ideas, but I’d like to hear from you while I work on them.

Designing for Success - A New Start (again)

This week I stepped out of the airplane again, into the rushing wind hurtling towards earth - beauty, thrill, opportunity, independence, and complete dependence. After three years working with great people on cool stuff, I’ve decided to play on the bigger field, becoming my own boss again, and have left SpeechCycle. I love design and helping people with design and design strategy and I want to do that for a larger group of customers across a larger set of domains.

Of course, this seems like a crazy time to jump when people are losing jobs and homes and all, but I was really inspired by some of the people I met at the IxDA conference and the itch has gotten worse. In addition, I've been shown several times recently that some of the most successful companies of this century and last were started during downturns. And even more specifically, one of the most successful designers in American history, Henry Dreyfuss, started his practice in 1929. As he put it,

“When business reached bottom, companies began to undercut each other. At the same time, alert manufacturers came to the realization that the answer to their problem lay in making their product work better, more convenient to the consumer, and better-looking.”

I believe right now there are significant opportunities for companies to make the same sort of investments that improve the customer experience and the bottom line at the same time.

I can help make you successful and profitable by making your customers enjoy your services and products more.

I am offering design services in the areas of voice, mobile, and web/desktop applications. Specifically, I can help with design strategy, requirements, prototyping, and of course complete designs and documentation for them.

In addition, for companies looking at how their speech application is performing or thinking about starting a speech recognition project, I can help navigate the waters of performance evaluation and improvement as well as knowing whether a speech IVR vendor is providing the right solution.

To get started, I will consult and contract under design out loud. At some point, there will be a separate web site for that. For now, you can read about my abilities and background on my CV/résumé site, www.phillipwhunter.com.

I look forward to getting to know many more of you. And of course, I welcome the chance to contribute to projects you are involved in or can recommend me to. Please get in touch via phillip (at) phillipwhunter (dot) com.

As always, your comments are welcomed.

IxDA'09 To Go: 60-ish days out, what’s sticking?

I never really got around to posting my final review thoughts of IxDA09, but now that it’s been about 2 months since, I thought maybe I’d share some things that have stuck with me. (If you want to see conference reviews, mine here, others here).

A) I still have a lot of gratitude to have found so many like-minded (design- and other-wise) individuals. It helped me know I am on the right path and to be stronger in the fight that still goes on for good design. It also lit a flame, still burning, to help build the design community further (labels be damned). I also really enjoyed meeting the "names" in our field.

2) Being there solidified the quest I’ve been on to learn more about other areas of experience design. I’ve even thought about going for an advanced degree, which I swore I’d never do. It also helped to know that others also feel like they are constantly learning in this field, even if I think they must be light years beyond me. There is just too much happening too fast for it to matter what you've mastered today. Cover your basics, such as empathy and willingness to experiment, then buckle-in and get ready for the ride.

Blue) Regarding the fight for good design, the conference made me more passionate about calling out bad design when I encounter it. If you’ve read other posts here, you’ve seen that. Added to what I was already thinking about, speakers covered designing for sustainability and behavior change and design-focused business leadership. All things we need to have informing our approaches, decisions, paths, and conversations with clients.

Delta) It was really exciting to hear and see emerging design tools and interaction mediums. NUI & gestural interfaces, mobile, MS Surface, Axure, Catalyst (someday soon we hope), etc., along with continuing extensions of browser-type experiences with Silverlight and Flex. I am very much a n00b with much of it, but as I wrote above, I’m learning as fast as I can.

Things are starting to happen with IxDA-DFW (again), so I look forward to some company in keeping these takeaways alive and well. Please reach out to me if you want to connect on these kinds of topics or hear more about them. Comment or find me on Twitter over there ==>.

I don't think I said what you think I said - Interviews and "Natural Language"

"Hi, I've just got a few questions." Not everyone likes it, but I will admit I do. I like to get interviewed. I like to be asked questions. I like to feel like someone cares about my answers, relative truth aside. I like to think the thoughts and words will make their way into a tight, punchy piece that makes a reader or a thousand think a different thought or care more. But, I know enough from a media course and life to know better than to expect much of that.

Now, this week, I received several mentions in a Speech Technology magazine article and I'm glad. It's a bit ironic, given news I'll get to in another post, but I'm enjoying it. At the risk of not getting interviewed in the future, I do need, though, to straighten out a tiny thing or two.

So, if you're not a speech geek, or wanna-be speech geek, skip to the next post, otherwise, a couple of discussion points:

First, the article is a great intro to current thinking about the use of open-prompting (soliciting content constrained by context, not wording). I favor this approach when it makes sense and can be delivered properly. In general, my thoughts are represented well. But, to get to the point, I didn't actually assert "that callers shouldn’t be exposed to a hierarchy of more than five categories." I do think menus structured like that can be problematic and are frequently done poorly, but research (Hura & McKienzie) and deployments (McKienzie, Levine) have shown that the right combination of wording and delivery can allow menus to be fairly lengthy and still be effective. I agree with those findings.

Moving on, the article discusses the idea that a high-frequency example is very important, which is correct. However, open-prompts should almost never start with "How may I help you?" Not only is there a register problem, but putting the call to action before giving the caller space to respond is generally a recipe for disaster, despite enabling barge-in.

Next, "performance anxiety," my (unattributed) quote, is not a technical term. Funny? Yes. Not technical.

Then, the sentence reading "Users are given the option of accessing them by saying something like What are some choices?" really should read "Callers can be given the option to access them by suggesting they say something like "Give me some choices." The difference appears subtle, but trust me, it's important. Control and certainty are increased by this very much directive statement, whereas the other feels too much like browsing.

Lastly, I need to put a finer point on "it’s important to design the back-off menu open-ended like the first prompt." Actually, the true matter is to allow not a full range of open responses, but to look for responses in tuning data for the menu and adding to the grammar utterances that are clearly a response to the open prompt but not in-grammar for the menu. For example, a caller saying "my internet account" to a menu asking them to specify whether their call is about their bill, an order, tech support, or an appointment. And of course adding logic to handle such utterances. Doing this will be effective and caller-pleasing without the trouble of a parallel SLM grammar.

So, these are not slams, but rather just trying to make sure that the right information is out there. The article is, I think and hope, a good discussion starter. Including the last few paragraphs, which are sort of not-directly-on-topic, but are vitally important nonetheless.

Please add your take on the article here. If you want to know more about the concepts presented there or here, or you want to interview me ;), please let me know: phillip at phillipwhunter dot com.

-pnl

UPDATE: Eric Barkin responded very graciously to my post on his SpeechTech blog page. I appreciate his comments and especially agree with the points about the need for a larger design improvement discussion.

WTF? Public Behavior, Infernal Machines, and Voice Interaction/Interface Design

Recently one of the semi-annually popular questions in the voice interface world floated out of its storage closet and back into the email list shared by many speech designers: “What should our applications do when cursing by a caller is detected?” I thought about not responding this time, but realized that we hadn’t really publicly hashed out the argument for not doing anything too special. Plus, we always joke about having an app say something like “Do you kiss your mother with that mouth?” which has been said enough to worry me that maybe someone will take it seriously. So, I responded that trying to be sure of what sub-context is meant by the caller is very difficult and many times the use of vulgarity is in fact not a sign of trouble or frustration. It is more effective to focus our efforts on creating effective and pleasant interactions for the vast majority of callers who are not swearing out of frustration or at all. That’s what I posted to the list.

The response to that was the equivalent of crickets and instead other respondents focused, as before, on maybe doing this or that, all essentially variations on the theme of giving negative reinforcement to the caller or even punishing them, such as going silent for a while or transferring them to a low-priority wait queue. My thought on that is, as a colleague suggested, let’s figure out how to make mallets bop the caller on the head every time they swear.

The bottom line is that designs must accommodate and respond accommodatingly to a wide variety of social behaviors, some of which will differ greatly from the company’s and designer’s point of views and cultural biases. While an organization might understandably choose to have a strict policy regarding how their customers are allowed to treat employees, it is ridiculous to think of requiring similar behavior standards for actions around or even toward inanimate software. It is not wise or even practical to try to enforce ambiguous, dynamic, class- and culture-based behavior norms on people who are not asking for it and are often already upset or stressed by a situation they perceive as been caused by the company. Make no mistake, designers are in the behavior modification business. However, that is true only as far as required to achieve the person’s desired goal within the allowances of the company.

Be nice to the people using your application, but don’t get bothered if they aren’t nice back. Don’t try to change behavior that is not directly relevant to their success. Focus on getting to success.

Data, Art, Design, and a big ID/IxD Success Story

Three events occurred, or were publicized, in the past few days that merit posting here and considering all together. First, an apparently widely-respected visual designer left Google using some strong language about his frustration regarding the design mentality there. I'll let you read his words to get your own impression rather than commenting directly.

You back? Ok.

To paraphrase somewhat, he tells a fresh tale of the decades-old battle of design based on data versus what some like to call "art". We in the Voice Interaction realm have had the same challenges and have often said in our little world that VUI Design is a "science and art". And while I have even held forth on that, I have been uncomfortable for the past few years with that way of characterizing it. One reason is that many of our language structure and wording decisions are actually based on researched and published linguistic and thought paradigms, similar to visual design choices about layout and color. Secondly, designing well is often an exercise in doing so within limitations and with compromises instead of letting one's expressionistic soul run free (That's a great thing for your painting or weekend band. Not usually so good for the business needs of your employer.).

Which leads me to the second event. OK/Cancel is a comic and blog by a couple of guys who took a hiatus from the end of 2007 to now and returned strongly with a great strip and good commentary on the ex-Googler and the data/art debate that fits nicely with my comments above and the article I wrote with Roberto Pieraccini linked to above. This is an area we in speech and all designers need to reflect on in order to truly begin the maturation of our practices, processes, and reputation.

Doing so will, I believe, lead to more of the third event. Thursday's NY Times ran this article in the Inside Technology section, A Tiny Camcorder Has a Big Payday. Pure Digital Technologies, the maker of the very popular Flip camcorder (audio warning) was purchased for $590 million by Cisco (About a 2.5-3x valuation as near as I can tell). To me, this is a triumph of good design. Cisco decided that a profitable company focused on simple, good products could add to Cisco's bottom line for years to come. While their decision was most certainly not all about good design, the philosophy of Pure Digital mostly is. This should serve as reinforcement and encouragement to all designers that combining customer focus, good design principles and practices with persistence and reading the market in-between the lines can and does work because success is success.

Good Design in 2009.

-pnl

Head and heart: Thoughts on what goes into creation

I intentionally mostly stay away from writing about the theoretical and philosophical. Primarily that's due to feeling not qualified enough and desirous of avoiding "religious" arguments. But, I find my mind returning to this topic for no other reason than I like it and it is meaningful to me. So out it spills.

As a practitioner and appreciator of multiple creative arts, I know that a critical element of most artifacts I see as having some kind of value exist at an intersection of the technical and the passionate. In other words, there is a substantial measure of beauty present because the artist has appreciable mastery of both the execution of and the expression within their medium. In other, other words, they can make their instrument do well what they want and show well what they feel.

For further explication I contrast that not with the complete lack of those two, though certainly creations exist that are empty of both. Those are mostly cases of instances that someone should be doing something else. Or, more graciously, they are instances that I have no capacity to appreciate. Rather, it is sadder to me when there is no intersection because the creation is missing one or the other. When the artist is focused solely on the technical execution (listen to how fast I play this complicated musical structure) or the passionate expression (listen to my messy inarticulate anger). The former is cold, the latter a tantrum.

As you appreciate someone's creation, whether a painting, poem, piece of music, film, interface, product, I encourage you to look for these two elements and how they intersect and interact. They certainly will not always be, and do not need to be at all, or maybe should rarely be, in balance. But I have found that both are necessary. And as I create, I try be sure I am practicing both. There is far more satisfaction, I think, in executing expression as well as possible.

-pnl

Note: Thanks to @semanticwill for adding design-outloud.com to his blog roll. He is an excellent designer (fans of Kayak.com, among others, have him to thank) and thinker. Visitors from there, welcome and thank you! Haven't heard of him? Go see: blog.semanticfoundry.com.

Shiny Plastic != Good Design

A colleague of mine kindly informed me that the audio quality of my mobile isn't that great and sometimes hurts my ability to effectively contribute on conference calls. So, I've been looking back into the wired age for that tool called the office landline. Who knows where it will lead?

Turns out Verizon offers "the Home Phone Reinvented." How lucky for me. Looks a bit pricey for a reinvention ($199), but hey, look at these features!

The circles with the plus signs on this "Design" screen show "reinvented" features such as VOLUME CONTROL! SPEAKERPHONE! CORDLESS HANDSET! and ELEGANT DESIGN! And personally, I can say that nothing says elegance like black fingerprint capturing plastic! Oh, and it has that current king of features: the TOUCHSCREEN!! How did we ever use phones before that?!?!

Now, not being one to be taken in by so much marketing sweet talk and high prices, I decided to burn a few fossils and head to my nearest Verizon store to experience the hype first hand. Plus it was a nice day to have the windows down. They had a phone, I mean Hub, all set up, but strangely minus the handset. But, no matter, there is really only one thing to report. On top of the joke of advertising decades-old features as reinvention, the touchscreen = suck.

Layouts changed illogically. Navigation across the top, bottom, and side was very confusing. Poor use of space all over. But here is the kicker about the actual "touch" part. Just one example. And I mean, come on, the iPhone as been out over a year-and-a-half. So, look:

See the slider in the middle? Yes, the one cutting the "h" of "Lunch" in half. First, it's not that wide; less than half my finger width. Second, I had to HIT, PRESS, AND DRAG the blankety blank thing like it was warped AC slider from a 1973 something or other! And I mean HIT! Kinda painfully! And sometimes I wouldn't hit it just quite right, though, and my finger would slide down uselessly. What a joke. If you're going to use a slider, at least do it well! And is the slider the best method? Why not swipe from, I mean, be inspired by Apple and use the natural motion of "rolling" the list up or down?

Ugh. It's not like these things are secret. You know, I have mostly liked being a Verizon customer. But this was just sad. And the Hub really could have been a kick-ass product, I think. A nice intersection of VoIP and mobile. But, once again, we have a clear example of what is wrong in so many of today's products.

I suppose I'll be looking at other solutions for my home office phone.

Still hoping 2009 can be the year of Good Design.

-pnl